Sinister Craftiness

Occasionally I’m asked if I make mistakes while cutting the Hardanger embroidery, and if so, if there are any mistakes which can’t be repaired.

To which I reply, Oh, yes!  Fortunately the Janice Love books have many suggestions to restore almost any kind of cutting accident back to neat, and I’ve usually had great success fixing little cuts here and there.

But while I was working on the christening gown collar — in fact, while I was cutting the excess fabric away from the finished collar, back before Christmas — I slipped and cut into the blanket stitches, front and center.  The collar began to unravel, and there was no good place in that area to reinforce or redo the cut stitches.

I want this christening gown to be perfect, and the collar is a focal point of the gown, so there really was no debate:  I had to start a new collar, and I was now the sadder but wiser owner of a “scratch and dent” or practice collar.

One month later, the second collar is done, and I’m so happy to see that it turned out perfectly:

What about the scratch and dent collar?  From certain angles or placing an object over the unraveled area, I think it will do well as a doily for taking pictures of other stitching projects.  It’s a good reminder to be careful when working on the cut parts of embroidery:  always use a bright light, sharp scissors (I love my Dovos), and take rest breaks whether you think you need to or not.  I was in a rush to finish the collar (it was so close to being done!) and haste combined with fatigue made me clumsy.  For the second collar, I cut a moderate section away from the excess fabric, took a break, then returned to the job.   It took longer but half a day of cutting was better than spending another month to make collar #3.

Now I hope I’ll have time to finish the petticoat lace!  The petticoat follows the same designs as the collar.  My little niece or nephew is due mid-February so the gown won’t be needed until March at the earliest.

Wow!  The sleeves took much less time than I thought they would!  With the over skirt and both sleeves complete, my sister-in-law and her mother will be able to work on the dress over the Thanksgiving holiday.

Taking a picture of the sleeves proved a bit difficult.  Unlike the over skirt, the embroidery stops with a margin on both sides (to sew the sleeve together) which makes the sleeve look, well, unfinished.  This photo shows both sleeves, embroidered ends facing each other.  The pattern photo shows what the sleeves will look like after my sister-in-law and her mother have worked their sewing magic.  I’m excited to see the pieces put together!  Meanwhile, I’ll start working on the dress collar, which has more openwork than the sleeves.  Each piece of this gown is prettier and prettier.

Thanks for visiting!

The over skirt of the christening gown is the simplest to embroider, and would make a nice enough gown on its own if I weren’t able to complete any more pieces, so I worked on it first.  Total stitching time for the skirt:  about three weeks.

I’m using 32 count Monika evenweave (a mercerized cotton/modal blend) by Ubelhor of Austria.  I love this fabric!  It’s perfectly suited for a christening gown:  silky soft with great body and a wonderful drape, holds the shape of the pulled and drawn work exactly so, and irons like a dream.  Wonderful!  I bought it from Nordic Needle where I was lucky enough to catch it on sale plus a storewide shipping discount.  The pattern is stitched with DMC white perle cotton in #8 and #12.

Next:  the sleeves.  The embroidery is more detailed than the over skirt in that there is more openwork, but of course there’s much less to do than on the skirt.  We’ll see how many weeks it takes to embroider the sleeves.

Thanks for visiting!

I’m working on a few Hardanger projects right now.  First, I’d had a table runner pattern from Lillill Thuve’s Vakre Hardangerdesign kitted up for ages, but hadn’t started it.

I began it, but a fiddly part of the center motifs slowed me down and I’ve put it aside for a while until I’m more interested in it again.  I’m realizing why I hadn’t gotten around to starting it.  The fabric (Dublin) and the thread (Watercolours) are a delight as always, but there’s something about the pattern that just isn’t doing it for me.

The pattern that’s really captured my interest right now is one of the winners of the annual Nordic Needle design contest.

I love the pattern, the stitches, and the colors I chose.  I’m using 30 count Legacy Linen in Baltic Green, which looks antique green or blue depending on the light.  Love, love, love Legacy linen:  it’s stiffer than Dublin, but full, feels great in the hand, and so luxurious.  I had really wanted to stitch this centerpiece in silk, but the Baltic Green color proved tricky to match up:  if I found a shade of Trebizond or Soie Perlée that worked well with the linen, I couldn’t find a matching Soie Gobelins, and if I found a suitable Soie Gobelins, neither Soie Perlée nor Trebizond looked right next to it.  The expense of silk, that pesky hobgoblin, also looked like it would be a factor in this medium-sized project, so after tidying up all the spools I’d pulled out of the drawers of the LNS, I chose a shade of DMC perle cotton which is a great fit for the fabric and didn’t break the budget.

I completed the surface stitches in two weeks’ time and am currently slogging through the eyelets.  This pattern features a lacy edge, or as I call it, Zombie Hardanger.  The cutting phase will be messy and scary, but well worth it.

But wait; there’s more!  My sister-in-law (the owner of this birthday biscornu) is expecting her first baby, and we’re going to make a christening gown.

I’ll be using another pattern from Nordic Needle’s design contest to embroider the fabric, and my sister-in-law and her mother will sew the dress.  My new niece or nephew is due mid-February; once the fabric arrives, we’ll get started.